![]() ![]() This shows that the data is linked to the TXT file and if any data in the TXT file was to change (external to Excel), the data displayed in Excel would change too. There are now two new tabs on the Ribbon – Table Design and Query – as well as a Queries & Connections pane appearing on the right-hand side of the screen. The data now appears in a new sheet in Excel. The file appears in a dialog box with the delimiter already automatically selected, and the text divided by Excel according to the data stored in the text file.Select the file to be imported, and then click Import.In the Ribbon, select Data > Get and Transform Data > From Text/CSV.Click Finish to import the data into Excel.Īn alternative way of importing data into Excel from a text file, is to use the Get and Transform Data feature.Most of the time, Excel is able to determine the data type automatically, and you can leave the selected Column data format on General. The final step of the text import wizard allows you to specify the data type contained in each column.In some cases, the data may be enclosed in quotes, but for this example, (none) is selected as the text qualifier. In Step 2, select the type of delimiters contained in the text file – in this case the tab delimiter.If the first row of data contains column headings, check My data has headers. If the data is separated with a character like a comma, semicolon, space, or tab, select Delimited. Depending on the data contained in the file selected, you can either choose Delimited or Fixed Width as the file type. ![]() The Text Import Wizard opens to the first of three steps. In the Ribbon, select File > Open > Browse, and then select the text or CSV file to be opened.This tutorial demonstrates how to open a text file in Excel and Google Sheets. ![]()
0 Comments
![]() Yes, as a simple list of, a length, percentage or calc() when both values are lengths, they are interpolated as lengths when both values are percentages, they are interpolated as percentages otherwise, both values are converted into a calc() function that is the sum of a length and a percentage (each possibly zero), and these calc() functions have each half interpolated as real numbers. Not explicitly set values are reset to their corresponding values.įor the absolute value, otherwise a percentage (This property is applied by first translating the element by the negated value of the property, then applying the element's transform, then translating by the property value.) ![]() For example, the transform-origin of the rotate() function is the centre of rotation. The transform-origin property lets you modify the origin for transformations of an element. The keywords are convenience shorthands and match the following values: keywordĬopy Code | & ] ? where = | z-offset Is a (and never a which would make the statement invalid) describing how far from the user eye the z=0 origin is set. y-offset-keyword Is one of the top, bottom or center keyword describing how far from the top edge of the box the origin of the transform is set. x-offset-keyword Is one of the left, right or center keyword describing how far from the left edge of the box the origin of the transform is set. y-offset Is a or a describing how far from the top edge of the box the origin of the transform is set. offset-keyword Is one of the left, right, top, bottom or center keyword describing the corresponding offset. Transform-origin: unset Values x-offset Is a or a describing how far from the left edge of the box the origin of the transform is set. * Global values */ transform-origin: inherit * y-offset-keyword x-offset-keyword z-offset */ transform-origin: bottom right 2cm ![]() * x-offset-keyword y-offset-keyword z-offset */ transform-origin: right bottom 2cm * x-offset-keyword y-offset z-offset */ transform-origin: left 5px -3px * y-offset x-offset-keyword z-offset */ transform-origin: 2px left 10px * x-offset y-offset z-offset */ transform-origin: 2px 30% 10px * y-offset-keyword x-offset-keyword */ transform-origin: top right * x-offset-keyword y-offset-keyword */ transform-origin: right top * x-offset-keyword y-offset */ transform-origin: left 2px * y-offset x-offset-keyword */ transform-origin: 2px left * x-offset y-offset */ transform-origin: 3cm 2px If you don't plan to use the transform-origin utilities in your project, you can disable them entirely by setting the transformOrigin property to false in the corePlugins section of your config file: // Code /* One-value syntax */ transform-origin: 2px transform-origin: bottom You can control which variants are generated for the transform-origin utilities by modifying the transformOrigin property in the variants section of your file.įor example, this config will also generate hover and focus variants: // ![]() Responsive and pseudo-class variantsīy default, only responsive variants are generated for transform-origin utilities. Learn more about customizing the default theme in the theme customization documentation. You change, add, or remove these by customizing the transformOrigin section of your Tailwind theme config. By default Tailwind provides transform-origin utilities for all of the built-in browser keyword options. ![]() ![]() ![]()
![]() ![]() Depending on your specific needs, it may be better to purchase multiple smaller trimmers as opposed to one large bud trimming machine. ![]() Some trimmers are intentionally designed to fit through standard doorways or fitted with wheels for easy transportation. Bigger trimmers can process larger quantities of flower more efficiently, but it is also important to consider the specific limitations and needs of your facility. It is wise to consider the potential growth of your company when choosing which commercial trimmer to purchase. For many cannabis businesses, scaling up is inevitable. In response to increasing popularity and state-by-state legalization, the cannabis industry continues to expand. A growing number of commercial bud trimming machines on the market today are capable of trimming both wet and dry flower, which allows businesses to adjust their harvesting methods for evolving demand and optimized profit. Trimmers process wet buds more quickly than dry buds, but dry trimming preserves more trichomes and is known for producing more potent buds that smoke more smoothly. Wet trimming involves removing plant leaves from buds directly after harvest, and dry trimming is performed after the buds have been harvested and dried. ![]() Businesses must choose whether they want to trim their buds before or after the drying process. In the harvesting and post-harvest process, precisely trimming cannabis buds is considered by many to be one of the most pivotal steps in the preparation of flower for sale. What to consider before buying your trimmer Wet, dry, or both? ![]() ![]() The water would have to be changed-out frequently to ensure it did not go stagnant and create a foul smell. A small area of original paint in the basement indicates the water level for the swamp cooler system. Foul air would have been extracted by exhaust fans in the ceiling. In a dry climate such as in Arizona, this has the effect of cooling the air, which then exited the plenum through mushrooms under the seats. External air was pulled down shafts and blown by huge electric fans across a massive pool of water in the plenum. The plenum space under the auditorium was originally designed as a massive swamp cooler. ![]() It is known as the Kissing Room or the Room of the Young Modernes. Although now decorated in a style similar to the rest of the theatre it was originally decorated and furnished in the “mode of the Moderne”. The completely circular room was originally fitted-out with love seats and lit with hidden soft blue lighting illuminating the domed ceiling, giving an intimacy to the whole affair. Next to the Tower Room is a round room which is original and was dedicated to the “modern young”. It is now used to host heritage displays and historic items relating to the theatre. The mezzanine promenade also features a double-height space called the Tower Room directly above the entrance lobby and below the cupola, which was not originally open the public. The face of the balcony, including ports of the projection booth, mimics the balcony rear wall with its semicircular windows. A cornice along the balcony front originally concealed hidden cove lighting. The front section of the balcony overhangs and is supported on massive concrete cantilever beams projecting out from the main balcony, decorated to give the appearance of carved wooden timbers. The balcony is cantilevered on steel trusses and presents a face about 10-12ft high. Over the width of the proscenium dancing muses in various poses are set within gold medallions. On both the frontispieces, and around the proscenium, are found symbolical characters of Orpheus and the Greek Muses. ![]() The frontispieces are Spanish Renaissance styled in the manner of 17th century artist José Churriguera.Īt the top center of each frontispiece is a full size statue of Venus supporting the vase of enjoyment on her shoulders. On either side of the proscenium are monumental companion frontispieces, hiding the organ chambers, which act as ornamental buttresses to the proscenium. Patrons sat below a vast blue-sky ceiling which featured tiny twinkling lights to suggest stars and projected moving cloud effects, affording a sense of sitting under the twilight sky watching a performance alfresco. Spanish Baroque Revival was the predominant style used for the building, with the auditorium being of an atmospheric design. The theatrical policy of the new theatre was to be motion pictures, vaudeville, and road attractions. The name of the theatre was changed to the Orpheum Theatre by the time it opened, and the final cost swelled to $750,000. In the end additional floors were not built and the theatre did not open until January 1929, by which time Rickards & Nace had changed allegiance to the Orpheum Circuit. The theatre was three stories in height but was built with foundations capable of supporting eight stories, the intention being to add office space above the theatre “as local conditions warrant”. Rickards & Nace were operating as a subsidiary of the Universal chain at the time, and as reported by local newspaper The Arizona Republican in October 1927, the theatre was to be called the Granada Theatre. Plans for the $500,000 theatre building were announced and a groundbreaking ceremony held in July 1927, with opening slated for late December that year, possibly early January 1928. Mahoney of Phoenix-based architect firm Lescher & Mahoney, with Hugh Gilbert acting as an associate architect. Rickards and Harry Nace built the theatre. ![]() Established Arizona theatre operators Jo E. ![]() ![]() ![]() ![]() In 2020, Ed Startup became a CEVA trainer, taking over Tobias’ duties when Tobias transitioned from CEVA to focus on different projects. Melanie and Tobias also wanted to help influencers improve their communication and relational literacy skills in order to reduce infighting and create a healthier and more unified movement. Melanie and Tobias sought to fill a critical gap in vegan outreach: to provide influencers in the vegan movement with formal training in identifying and implementing the most effective advocacy methods-and to help these influencers become multipliers. Melanie Joy and Tobias Leenaert, who have over 30 years of combined experience in training, consulting, and strategic analyses. A vegan advocate is anyone advocating for a shift away from carnism to veganism, such as lifestyle vegans, activists, entrepreneurs, investors, and other influencers.ĬEVA was founded by longtime strategists and trainers Dr. How quickly the vegan movement succeeds depends largely on how effective its proponents, vegan advocates, are. Drag to the trash to delete.The vegan movement poses a direct challenge to carnism. "EDIT_TIP_MULTIPLE": "Select a layer to edit or move above or below another layer. "EDIT_TIP_SINGLE": "Select a layer and drag to the trash to delete", "FILE_LIMIT_SIZE": "This file exceeds maximum allowed size of 10 MB", I am aware that in case of culpable violation of the terms and conditions of sale, I must indemnify PopSockets against claims of third parties according to the clause 11 of the Terms and Conditions of Sale.Custom products cannot be returned for a refund, store credit, or replacement, unless defective.", PopSockets may reject non-contractual content and cancel orders. "UPLOAD_DISCLAIMER_LONG": "I confirm that I have all the necessary rights to the uploaded content and that it does not infringe the copyright, trademark, design rights or other rights of third parties including the right to person's own image or laws and that the content also otherwise complies with the contractual terms of PopSockets. "UPLOAD_MYDEVICE": "Import from Your Device", "UPLOAD_DROPHINT": "Drop your files here", "CASE_INFO_CANCEL": "Customize a MagSafe Phone Case", "CASE_INFO_BODY": "For the best experience, we recommend using our MagSafe grips and wallets with a MagSafe phone case.", "CANCEL_CANCEL": "No thanks, keep customizing", "CANCEL_BODY": "You'll be taken back to the product selection screen and will lose your current progress", ![]() "DESIGN_CONFIRM_CANCEL": "No thanks, keep customizing", "DESIGN_CONFIRM_BODY": "You'll lose your current custom design progress", "ATC_CONFIRM_CANCEL": "Not yet, keep customizing", "ATC_CONFIRM_BODY": "Are you finished with your custom design?", "PICSART_REMOVE_BG": "Remove Background", "ART_STICKER_ADD_THIS": "Add This Sticker", "ART_STICKER_EDIT_IMAGE": "Create Your Own Sticker", "ART_STICKER_USE_SELECTED": "Add Sticker(s)", "ART_STICKER_SELECT_IMAGE": "Select a sticker to add to your design.", "ART_SELECT_IMAGE": "Select an image to add to your design.", "ART_STICKER_UPLOAD_OWN": "+ Create Your Own", ![]() "ART_STICKER_UPLOAD_BODY": "Browse sticker collections or create your own", "ART_UPLOAD_BODY": "Browse image collections or upload your own photo or artwork to get started.", "TOOLTIP_VIEW_3D": "View your design in 3D", "TOOLTIP_TAP_TO_CONTINUE": "Tap here to continue", "TOOLTIP_ADD": "Tap to add photos, stickers, and text", "TOOLTIP_EDIT_DESIGN": "Edit your design", "TOOLTIP_EDIT_COLOR": "Tap + to change the color", "PLANT_BASED": "Made with plant-based materials", "SELECT_CASE": "MagSafe or Standard case?", "SELECT_PHONE": "Which iPhone do you have?", ![]() ![]() One of the most notable Roman prisons was the Mamertine Prison, established around 640 B.C. A variety of existing structures were used to house prisoners, such as metal cages, basements of public buildings, and quarries. The Romans were among the first to use prisons as a form of punishment rather than simply for detention. The prison in ancient Athens was known as the desmoterion ("place of chains"). Eventually, since impoverished Athenians could not pay their fines, leading to indefinite periods of imprisonment, time limits were set instead. Imprisonment as a penalty was used initially for those who could not afford to pay their fines. Some Ancient Greek philosophers, such as Plato, began to develop ideas of using punishment to reform offenders instead of simply using it for its own sake. The use of prisons can be traced back to the rise of the state as a form of social organization. The galley pictured here belonged to the Mediterranean fleet of Louis XIV, c. History Ancient and medieval Ī common punishment in Early Modern Europe was to be made a galley slave. Outside of North America, prison and jail often have the same meaning. for shorter sentences or pre-trial detention) and is usually operated by a local government, typically the county sheriff. A jail holds people for shorter periods of time (e.g. ![]() ![]() A prison or penitentiary holds people for longer periods of time, such as many years, and is operated by a state or federal government. In American English, the terms prison and jail have separate definitions, though this is not always strictly adhered to in casual speech. In times of war, prisoners of war or detainees may be detained in military prisons or prisoner of war camps, and large groups of civilians might be imprisoned in internment camps. Their perceived opponents may be imprisoned for political crimes, often without trial or other legal due process this use is illegal under most forms of international law governing fair administration of justice. Prisons can also be used as a tool of political repression by authoritarian regimes. In simplest terms, a prison can also be described as a building in which people are legally held as a punishment for a crime they have committed. Prisons are most commonly used within a criminal justice system: people charged with crimes may be imprisoned until their trial those pleading or being found guilty of crimes at trial may be sentenced to a specified period of imprisonment. A zindan (a traditional Central Asian prison) in Bukhara, Russia (present-day Uzbekistan), photographed by Sergey Prokudin-Gorsky between 19Ī prison, also known as a jail, gaol (dated, British English, Australian, South African and historically in Canada), penitentiary ( North American English), detention center (or detention centre outside the US), correction center, correctional facility, lock-up, hoosegow or remand center, is a facility in which inmates (or prisoners) are confined against their will and usually denied a variety of freedoms under the authority of the state as punishment for various crimes. ![]() ![]() Jul 08 11:31:08 rpi41 systemd: Starting Accessibility services bus. Jul 08 11:31:08 rpi41 dbus-daemon: Activating via systemd: service name='' unit='rvice' requested by ':1.3' (uid=2400 pid=785 comm="firefox-esr ") Jul 08 11:30:48 rpi41 systemd: rvice: Succeeded. Jul 08 11:30:46 rpi41 su: pam_unix(su:session): session opened for user root by (uid=2400) Jul 08 11:30:44 rpi41 systemd: Removed slice User Slice of UID 65534. Jul 08 11:30:44 rpi41 systemd: Stopped User Runtime Directory /run/user/65534. Rpi41/home/bls# journalctl -f # No new journal entries caused by the above Rpi41/home/bls# SYSTEMD_LOG_LEVEL=debug /lib/systemd/systemd-networkd-wait-online -timeout=5 -i wlan0 Make sure DHX2 is available, if this is not here then something went wrong with libgcrypt.Code: Select all rpi41/home/bls# SYSTEMD_LOG_LEVEL=debug /lib/systemd/systemd-networkd-wait-online -timeout=5 -i eth0 ![]() The result should look something like this: AFP reply from localhost:548ĪFP versions: AFP2.2,AFPX03,AFP3.1,AFP3.2,AFP3.3 If you didn’t do this then this doesn’t apply.įinally, if you get the dreaded “The version of the server you are trying to connect to is not supported” when trying to connect to your AFP server from your Mac then you should confirm what your server supports as there is likely something missing. For example, if you crafted an rvice file with record entries for your shares you no longer need this with zeroconf. There are a few things to watch out for, if you have an Avahi configuration from a previous install you may need to remove settings from there. With your configuration file in place, startup the server and connect to it from your favorite Mac: Here is a sample setup to get you started: If you have your file share settings in fault you will need to transcribe them into this new config file. This will be in /etc/afp.conf and is much easier to do than previous releases. Setup a configuration file for your server. The zeroconf attribute provides integration with avahi for resource discovery, and the –enable-fhs will install the server with the main configuration in /etc. The debian style init will create a startup script in /etc/init.d. configure -with-init-style=debian -with-zeroconf -enable-fhs Inside the directory with the extracted source code, do the following: In addition to the standard suite of build tools (make/gcc), you will also need ssl, PAM and crypt development libraries.Īpt-get install avahi-daemon libnss-mdns cracklib2-dev fakeroot libssl-dev libpam0g-dev libgcrypt11-dev ![]() Then use the following steps as a guideline for building and installing your Netatalk distribution: ![]() ![]() The version shipping with Ubuntu currently is rather outdated, so this is a necessity.Īfter downloading, extract everything into a source directory that you will use for building it. You can download the latest version from, which will be required for optimal support. While you can certainly use other methods (NFS/SMB), AFP is able to provide integrated support with your TimeMachine backup. Running AFP allows you to natively mount file shares from your Mac to your Linux based fileserver. This article outlines some of the things you will need to do to configure Netatalk assuming you are running Ubuntu server. Since my original posting on this a few years ago, this is now at version 3.0 and the configuration has changed somewhat. For those of us running Linux file shares at home, AFP support is provided using something called Netatalk. ![]() ![]() Interact with the Clock again to be struck by one of the mysterious figures inside it, at which point you will find yourself in Clock Fathom with the three mysterious figures.Īs it turns out, they are castoffs like you, and they've been "ingested" into your mind. Set the memory on each one to the recent underwater memory, then smash the device, which will fix the Clock but trap the city in eternal night. Interact with the Clock to connect it to the nearby devices, then interact with the devices. To continue the main quest, speak to Casmeen and Mimeon in the center of town (lower level), who will tell you the Clock needs fixing and that if you help them, they will tell you about the resonance chamber.
![]() ![]() Funny thing is just using the "Install.exe" option you can make it play in 3 different ways!īut only recently (a couple years back) I found out that the AWESOME music that I've been hearing isn't even the original "CD Music" and that it was even better! I've tried but all the downloadable versions as well as the device driver CD on which I had found the game (among some demo versions of "better" games) contain only the MIDI version. And I absolutely loved the music-even my late grandfather once heard the music when I was in Krondor and said it was great. It's been almost a decade since I first played BaK. First time I'm hearing the cd music (and it only took ~10 years, ubuntu and dosbox to pull it off). (Perhaps because of the old hardware.)Īnyway, I tried your solution, and it worked perfectly. It must have defaulted to midi for me always. I have played the game a lot (the puzzles were great!), but I can't remember hearing the cd music ever. Any help would be greatly appreciated.įunny thing is, I also still have that cd (a SierraOriginals from way back). The game is a favorite of mine and the music is truly great, otherwise I wouldn't go through so much trouble. Making an iso or some type of image would be even better, but as far as I know. Is there a way to mount the audio part of the disc? I need the audio part present in a way that can talk to dosbox. When I pop the CD in Ubuntu, I'm asked if I want to browse data or play audio, the play audio option just takes me to the 'sound juicer' ripping app. I know it works in Windows because both parts of the mixed mode disc are accessible to the operating system, and mounting in dosbox picks them up both. My question is this: How can I accomplish this in Ubuntu? ![]() I've accomplished this setup successfully in windows by mounting the cd in dosbox like so: The data portion is only needed once for the install, but the music part is always needed. The game's music is played from the CD (Redbook Audio), the CD is a mixed mode disc. The game runs fine, but not the CD Audio. I'm trying to run an old DOS classic - Betrayal at Krondor - through the DosBox emulator under Ubuntu 7.10. Maybe one of you could shed insight on this problem. I've been searching the 'net for a few days now trying to find an answer to this with no luck. ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |